indefatigablog

[in-dih-FAT-ih-guh-blog] :: tireless | unrelenting | not yielding to fatigue

Charles0

Posted by c in sight and sound (Friday March 31, 2006 at 11:30 pm)

chaplin

generally speaking, cinema brings either childhood to the audience or the audience to childhood but i’ve heard that many agree Charlie captured American cinema by returning audiences to the age of puberty when attraction was fresh and new and the simple is made funny but also innocent and true. like the Idiot, who in in the book was not unlike Forrest Gump in that the meaning of innocence is sometimes as straightforward as being the dog that thinks other dogs that are really trying to eat it are only just playing. Not to say that The Circus plays to that or isn’t equally similar to less stimulating features such as something like any Adam Sandler movie other than Punch Drunk Love.

anyways, the Russians thought of Chaplin as the Godfother of Cinema. American cinema was the same in the eyes of Eisenstein as were the experiences of observing an American College classroom test being administered and taking a driving test to obtain an American driver’s license. Not that he intended to insinuate that the average American sense of humor was beyond that of a 14-year-old but it was clear that Chaplin had discovered a not-too-shabby formula.

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c

Lynch Weekend0

Posted by c in sight and sound (Monday March 27, 2006 at 6:37 am)

David

This past weekend, Pollee and I made our way to Fairfield, Iowa to Maharishi University. There. we listened to the sage words of David Lynch.

What did he say? Well, mostly the format was Q and A, so film professors, students and kooks like us (from all over the country) lined up to ask him about filmmaking, his process and how creativity is best nurtured.

His advice? “Water the root, not the fruit.” As well as meditating twice daily for twenty minutes.

“Dive in and get wet with the self” he repeated, along with “Do it and just see what happens.”

Often when I see those i admire, they become less inspiring somehow, or perhaps it is easy to be disappointed when you see how they “really are.”

Not so in this case. The man continues to inspire.

Thanks, David.

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c

9. Dead Man0

Posted by c in sight and sound (Monday March 20, 2006 at 7:00 pm)

Out of the Top 100 Under-rated movies of the 1990’s.

DeadMan

Jim Jarmusch took his bizarre indie surrealist show to the Wild West when he cast Johnny Depp as an accountant heading out across country in the mid-to-late 1800’s to take a job in the frontier town of Machine. When said accountant arrives at the town, it’s not only one of the bleakest, most depressing places you’re likely to see on film, but the job he came out for is no longer on offer. With no money and no prospects, our hero finds himself responsible for a man’s death, for which he is pursued through the countryside as a fugitive by a bizarre collection of bounty hunters, while an old William-Blake-quoting Native American called Nobody becomes an important new friend.

An amazing Neil Young soundtrack punctuates this truly anti-Western, complete with co-starring turns by Robert Mitchum, John Hurt, Crispin Glover, Gary Farmer, Gabriel Byrne, Lance Henriksen, Alfred Molina, Iggy Pop and Billy Bob Thornton, while haunting monochromatic photography and a first rate performance by Depp make this a movie to remember.

Sure, some audience members didn’t get it, and still more never bought a ticket, but for those who seek originality in cinema, few can go past this truly enigmatic tale. (Chris Parry)

Daddy, I want a laser!1

Posted by c in tech (Thursday March 16, 2006 at 9:26 pm)

laser

and i want it nowwWWW!!

good thing the ones a kid could use to burn another kid with are REALLY expensive.

prolly not for long, tho, and then our billy-the-kids’ll be slinging penlight laser guns at high noon.

-sigh-

not nearly as cinematic.

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c

Lynch0

Posted by c in sight and sound (Thursday March 9, 2006 at 9:05 pm)

lynch

Filmography

Inland Empire (2006) (post-production)
Rammstein: Lichtspielhaus (2003) (V) (video “Rammstein”)
The Short Films of David Lynch (2002) (V)
Darkened Room (2002)
Rabbits (2002)
Mulholland Dr. (2001)
… aka Mulholland Drive (France) (USA: closing credits title)
The Straight Story (1999)
… aka Une histoire vraie (France)
Lost Highway (1997)
Lumière et compagnie (1996) (segment “Lumière”)
… aka Lumière and Company (International: English title)
… aka Lumiere y compañía (Spain)
“Hotel Room”
… aka David Lynch’s Hotel Room
- Blackout (1993) TV Episode
- Tricks (1993) TV Episode
“On the Air” (1992) TV Series
Twin Peaks: Fire Walk with Me (1992)
… aka Twin Peaks (France)
“American Chronicles” (1990) TV Series
Wild at Heart (1990)
… aka David Lynch’s Wild at Heart (USA)
Twin Peaks (1990) (TV)
“Twin Peaks” (1990) TV Series (episodes 1.01, 1.03, 2.01, 2.02, 2.07 and 2.22)
Industrial Symphony No. 1: The Dream of the Broken Hearted (1990) (TV)
“Français vus par, Les” (1988) (mini) TV Series (segment “The Cowboy and the Frenchman”)
… aka The Cowboy and the Frenchman (USA: DVD title)
… aka The French as Seen by… (literal English title)
Blue Velvet (1986)
Dune (1984)
The Elephant Man (1980)
Eraserhead (1977)
The Amputee (1974)
The Grandmother (1970)
The Alphabet (1968)
Six Figures Getting Sick (1966)
… aka Six Men Getting Sick (Six Times) (USA)

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c

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